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History of Tai Chi Chuan – the Foundations

 

 

The origins of Tai Chi Chuan are the subject of much debate with different branches holding beliefs of versions of events. Added to the difficulty of a lack of consistent records is that figures may have been known by different names in their time,  and in the west this is compounded by various transliterations. The history presented here, then, is just one interpretation, but one based upon our school’s understanding and the works of respected scholars. What is certain though is that China has a rich history of martial arts that are associated with health and philosophy. All of this cultural background and study of the martial arts though the centuries can be seen as contributing to the foundations of Tai Chi Chuan. From the very origins of Taoism in the sixth century BC, sages like Lao Tsu wrote in the Tao Te Ching:

“Yield and Overcome; Bend and be straight.”  and

“He who stands of tiptoe is not steady. He who strides cannot maintain the pace.”

Throughout his writings Lao Tsu reflects the central philosophical underpinnings of Tai Chi Chuan.

During the period of the Three Kingdoms (224 to 265 AD) there was a physician Hua-tu'o who relied not only on medicine but also taught the 'movements of the five creatures' - tiger, deer, bear, ape and birds - a system he called “Wu-chi chih hsi". He believed that the body needed to be regularly exercised to help with digestion and circulation and only by doing so could a long and healthy live be achieved. He advocated a system of imitating the movements of these animals to help exercise every joint in the body. His teaching, and its connection with the movements of animals, is probably the earliest precursor of Tai Chi.

In the 6th century A.D. Bodihdharma (called Ta Mo in China) came to the Shaolin Monastery. Seeing that the monks there were in poor physical condition from too much meditation and not enough movement he taught them his “Eighteen Form Lohan Exercise”. Over time these grew to be the precursors of the “Wei Chia” (outer-extrinsic) school of exercise (as epitomized by Kung-fu). By contrast Tai Chi Chuan belongs to the “Nei Chia” (internal­ intrinsic) school.

In the eighth century AD (the Tang dynasty) such forms as “Heavenly-Inborn Style”, “Nine Small Heavens Style” and “Acquired Kung-fu” were taught from which the origins of Tai Chi were developed. Philosophers like Hsu Hsuan- p'ing developed a 'Long Kung-fu' of 37 postures. Certain ones of these still survive in contemporary Tai Chi forms, such as:

·         Play the Pi'pa (Chinese guitar)

·         Single Whip

·         Step to the Seven Stars

·         Jade Lady Works the Shuttles

·         High Pat on Horse,

·         White Crane Cools Wing

 


The origins of Tai Chi Chuan, as known today, are often debated. One popular legend credits the origination of Tai Chi Chuan to a Taoist priest of the Wu Dang temple Chang San Feng, during the earlier Yuan dynasty. (Some scholars doubt his historical existence, viewing him as a literary construct on the lines of Lao Tzu. Others, though, cite research and records of the Ming-shih, the official chronicles of the Ming dynasty.) Various dates and longevity are ascribed, though records from the Ming dynasty suggest he lived from 1391 to 1459. He may have been born earlier and lived later: these are simply some dates associated with him.

Chang San Feng learned his martial art in the Shaolin temple. One day he sat next to a window pondering the thought that most martial arts used too much strength and heavy breathing which was not good when combined with Taoist practice. As he sat thinking, he noticed a bird and a snake engaged in a fight to the death, outside his widow. Chang was impressed with how relaxed both the creatures were; how the bird was sometimes soft and gentle, sometimes soft and hard, but always quick. He observed the snake was similar; sometimes slow, sometimes quick, but always a combination of soft and hard power with light relaxed breathing. From this observation Chang San Feng developed Tai Chi Chuan.

Chang San Feng is credited with creating the thirteen principles of Tai Chi from the eight trigrams of the I-Ching and the five elements; combining the Taoist idea of yin and yang and internal aspects with martial arts forms. These ideas he took back to Wu Dang and form the basis of the Wu Dang style. Here he met a Taoist called The Fire Dragon Hermit. Chang San Feng spent ten years with him learning more Martial Arts, Chi Kung and Acupuncture.

Ward Off

Roll Back

Press

Push

 

Pull

Split

Elbow Strike

Shoulder Strike

Advance

Retreat

Look left

Gaze Right

Central Equilibrium

Eight Postures

Five Elements

Chang San Feng felt he now had all the pieces of the puzzle so spent many years combining all his knowledge of Martial Arts and Chi Kung and Acupuncture to develop his own system now known as The Chi Disruption Forms. Many bandits and outlaws used to hide from government troops in the Wu Dang mountain range so Chang San Feng had plenty of opportunity to test out his system. He had four main students who he taught his system to before he died. His exercises stressed suppleness and elasticity and were opposed to hardness and force. They incorporated philosophy, physiology, psychology, geometry and the laws of dynamics.

Chang San Feng's Treatise on The Chi Disruption Forms still exists today and is a great source of information for the correct practice of any of the internal martial arts. It is possible that many of the internal arts of China have been influenced by The Chi Disruption Forms or are derived from them. In his Treatise on The Chi Disruption Forms Chang San Feng explains not only correct structure and movement but also Fa jin - Exploding Energy Movements and Dim mak - Acupuncture Point Striking and how to apply them effectively in combat.

(There is a clan who are the direct lineage descendants of Chang San Feng and to this day still continue to practice The Chi Disruption Forms and still live in the Wudang mountain range in western China. In 1973 their then leader, Dong Kit Yung, in his last contact with the outside world told a reporter from Beijing that the Wudang village was secretive about their style and was reluctant to teach outsiders The Chi Disruption Forms or their applications.)

Chang San Feng’s theories, writings and practices were elaborated sometime later by Wang Chung-yueh and a student of his, Chiang Fa. Wang apparently took the thirteen postures of Chang San-feng and linked them together into continuous sequences, thus creating something which resembles the contemporary Tai Chi Chuan form. Chiang Fa taught Tai Chi to the villagers of a town in northern China, Huo Nan (almost all of whom were called Chen) and thus began the first family school of Tai Chi Chuan.

Other historians credit the beginnings of the art to the Chen family of the Chen village around the end of the Sung dynasty and the beginning of the Yuan dynasty. They believe that Tai Chi was taught to the residents of the Chen village only and kept a closely guarded secret by the Chen family. What is certain though is that all surviving Tai Chi styles can be traced back to the Chen village, where the art was first referred to as Tai Chi.

 Next: Later History 




 

Lower age limit for Tai Chi Chuan training is 18 years.
 
 
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"To yield is to preserve unity. To bend is to become straight. To empty oneself is to become full.
To wear oneself out is to be renewed. To have little is to be content. To have abundance is to be troubled."
- Lao zu

 

 

 

 

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